Kim Cascone has a long history involving electronic music: he received his formal training in electronic music at the Berklee College of Music in the early 1970's, and in 1976 continued his studies with Dana McCurdy at the New School in New York City.
In the 1980's, after moving to San Francisco and gaining experience as an audio technician, Cascone worked with David Lynch as Assistant Music Editor on both Twin Peaks and Wild at Heart. More
Kim Cascone also seems to be a reader of my weblog ! He once wrote me an email, because of some broken links. Because of his email, I became aware of his brilliant microsound mailinglist:
.microsound is an unmediated mailing list oriented toward discussion of the styles of digital and post-digital music promulgated by the proliferation and widespread adoption of digital signal processing (dsp) tools.
.microsound is not a "genre" mailing list, since this proliferation has occurred largely without regard for stylistic boundary. instead, .microsound presents itself as a forum for the discussion and exploration of a more general "digital aesthetic" manifesting across a wide variety of styles and disciplines -- from academic computer music to post-industrial noise to experimental ambient and post-techno.
Andrey Savitsky The microsound mailinglist has allready servered as a great resource for new and interesting music. Because of the list, I became aware of Andrey Savitsky from Belarus (german: Weissrussland) who makes microsound, using the name hhtp. Make sure to download hhtp.and.evelindomnitch.mp3
Along with Cabaret Voltaire and Throbbing Gristle, Germany's Einstürzende Neubauten ("collapsing new buildings") helped pioneer industrial music with an avant-garde mix of white-noise guitar drones, vocals verging on unlistenable at times, and a clanging, rhythmic din produced by a percussion section consisting of construction materials, hand and power tools, and various metal objects. Neubauten was founded by vocalist/guitarist Blixa Bargeld and percussionist and American expatriate N.U. Unruh in Berlin as a performance art collective; their early activities included a seemingly inexplicable half-naked appearance on the Berlin Autobahn, where the duo spent some time beating on the sides of a hole in an overpass. Read more